how white women would both challenge and propagate dominant Orientalist/imperialist views

how white women would both challenge and propagate dominant Orientalist/imperialist  views

Lewis’s chapter on gendering Orientalism discusses how white women would both challenge and propagate dominant Orientalist/imperialist  views. Can you name some ways in which Isabella Bird’s illustrations  (also of Malaya, which included Singapore) offer such a gendered view? How might they challenge or confirm views held in Picture